April 13, 2017

Vert Swiftwing – The Dragon and the Human: Painting Episode 6 Cover Art – Part 2

Hello! Hello! It has been a while since my last post. This one is a continuation from Part 1. So, let’s continue.

After painting the dragon to about 90% completeness, I decided to work on Vert in his human form. I’ve been seeing Vert inside my head for a while now; however, I’m not such a genius that I can pain realistic looking humans without a reference (this is what I aspire to). Fortunately, I was able to find a model on Pinterest that looked so much like Vert, that I found the experience creepy.

A model that looks like Vert inside my head.Close up of the model that looks like Vert inside my head.

The only difference is that he did not have Vert’s green eyes. However, another model provided those.

A model with Vert's eyes.

When drawing humans, I often take pictures of myself in a pose I require to help me out with anatomy. However, this time, I found a truly great image by SenshiStock on DeviantArt.

Vert's pose by SenshiStock on DeviantArt.

As you can see I’ve adjusted the pose to fit my needs.

Just as when I was painting the dragon, the first step was to paint (or block in) the basic colors, shadow, and light.

Vert Step 01

In the subsequent steps, I’ve continued to add details and refine the shape of Vert in his human form. I’m always thinking about the form and the direction of the light source. What is the focus of the image? The focus should always be sharper and more contrasted than the rest of the image. Sometimes I go back and lose some of the edges, allowing them to blur with the background. I always work from larger forms towards details, never the other way around. Painting digitally, I have the luxury of keeping separate layers. Therefore, I can make quick changes to parts of the painting, or I can paint over the painting on another layer. This way, if I do not like the changes I made, I can always delete the layer. Painting digitally, I do not have to worry about experimenting. This is very different from a watercolor painting, which I always must pre-plan.

Vert Step 02.Vert Step 03.Vert Step 04.

The last step was to add light, shadow, and in this case magic.

Nathan Fowkes showed me how to paint light. It involves creating a group of layers to simulate light.

Nathan Fowkes' layers that make up a Light Group in Photoshop.

The first step is to create a color layer by clicking on the half black/half white circle symbol at the bottom of the Layers Palette then choosing Solid Color. Pick the color you wish your light to be. In my case I chose a bright greenish-yellow color. Since Light is translucent, I changed the opacity of this new color layer to 18%.

Next, I used the Adjustments Palette (Window > Adjustments) and modified my Color Layer until it felt like light. It is important to use the Adjustments Palette, because unlike selecting modifications from the top menu, the Adjustments Palette creates new layers that modify the image, without affecting the painted image.

As you can see with the image above, I’ve played with Color Balance, Levels, Hue/Saturation, and another Color Balance layer until I was happy with the adjustments made to my Color Layer. Then I selected these layers and added them to a Group (folder). I renamed this folder as Light.

I dragged the folder to the rectangle with the white circle symbol found at the bottom of the Layers Palette. This created a Layer Mask for the folder. I clicked Ctrl + i and inverted the mask. I clicked on the image icon next to the folder.

I chose a soft round brush, and by selecting pure white, I began to pain in the light. Choosing pure black allowed me to pain out the light. I kept adjusting the Opacity and Flow of the brush (found under the top menu when the Brush Tool is selected), with Pen Sensitivity turned on, until I was happy with the results.

After painting in the light, I repeated the process and painted in the shadows.

For the shadows, I chose a contrasting color, a dark purple-red. Using a contrasting color when painting shadows makes the painting appear more vibrant then by simply choosing black or brown.

The last step to this stage was to paint in sparkling stars. I used my own star stamp brush I created earlier.

Vert Step 05.

At this point, I felt the image was 99% complete. I took a couple of days off from painting so that I could see it with fresh eyes.

The last thing I did was to adjust the Levels and the Vibrancy of the entire painting. I also darkened the dragon’s eye. Then I added the title, and cropped the image to the appropriate cover size.

This cover is ready to be published.

Warriors of Virtue Epic YA Fantasy Series Episode 6 Cover
Warriors of Virtue Epic YA Fantasy Series Episode 6 Cover dragon detail.
Warriors of Virtue Epic YA Fantasy Series Episode 6 Cover Vert detail.

If you would like to see the Time Lapse videos of the entire process, click here.

If there are a few videos missing, that’s because I have not had the time to render and upload the last few videos yet. Check back in a few days.

Thank you for reading through my painting process. If you have any questions, ask them in the comments, or feel free to contact me privately via the Contact Form on the Right, or through Social Media.

Bye-Bye for now!


P.S. FYI The painting took about 15 hours (not counting research and sketching). I would charge $600 just for the painting stage. For the entire artwork, it would cost between $800 to $1000. This is why I recommend that if you are looking to hire an artist, you do all the research and have a clear vision of what it is that you want, before you approach the artist. Just as you would not want to work for free, please do not ask the artist to work for free.

You can find out more about Mili Fay Art commissions here.

© 2014 CDC Photography
Mili Fay, an award-winning artist, trained as a classical animator at Sheridan College, but when computer animation took over the field, she decided that she loved drawing more than animating. In November of 2011 she created Mili Fay Art determined to support the world one artwork at a time. Today, she passionately creates imaginative artwork and stories, always graced with a humorous modern twist.

Currently, Mili is working on an epic YA fantasy series, Warriors of Virtue, about a reluctant princess, Lauraliee Lumijer, who grows into a queen as she defends Ardan from dragon people (people that change into dragons) and a hermit dragon prince, Diamond Pendragon, who is forced to rejoin Ardanian society and reevaluate his convictions.

Mili Fay Art Fan Club
"Together we support the world one artwork at a time."

April 05, 2017

Lauraliee Elizabeth Vicomptessa Lumijer

Born: October 3rd, 5982 A
Height: 5’ 9” (175 cm)
Weight: 68 kg (150 lb)
Eyes: grey, can look blue, green-blue, or violet depending on light and emotion
Hair: chestnut, curly (big curls not small), thick
Age (in 5999A): 16 going on 17
Other distinguishing physical features: long nose, “chipmunkish” teeth, long legs
Parents: Queen Dragana and King Mihajlo of Ardan
Crush: Gerrard DeVent
Sexual Orientation: Heterosexual
Companion: Emerald, a Unihorse
Favourite Treat: Chocolate covered roasted hazelnuts… Actually anything with dark chocolate.
Occupation: Queen-In-Training
Secret Occupation: Nenya, the Water Warrior
Unusual talent: Fencing. She is a Sword Master, undefeated since she was fourteen.
Hobbies: Reading, drawing and painting, exploring with her cousin and sister.
Dominant Element: Humans tend to be balanced and thus have no magic. However, Lauraliee has a bit more Water than any other element in her, which allows her to bond with Nenya, the Water Spirit.
Weaknesses: Second-guesses herself. Lacks confidence. Perfectionism. A know-it-all. Terrified of being in the spotlight. People-pleaser.
Fun Fact: Lauraliee is based on Mili Fay. Her character was changed over time to suit the story, but she still retains some of Mili's characteristics, looks, and colouring.

Lauraliee wants to lead an ordinary life, so of course she was born a princess, and not just any princess, but next in line for the throne of Ardan. If she had her way she would spend her life painting, travelling, and studying. Instead she has to constantly fight her fear of being in the spotlight and rule the Land of Ardan as The Queen the moment her mother decides to retire.

Lauraliee would gladly abdicate in the favour of her sister, but she does not want to disappoint her parents and other adults in her life. If she could find the courage to disappoint them, a regretful part of her believes that Nikolina (or her cousin Vladimir) are not quite up to the job. She also feels guilty for wishing to pass on the crown since Fates decreed she is to be Queen, and thus the crown is her responsibility.

Lauraliee spends her life wishing for personal freedom, but takes on more and more responsibilities as they are shoved at her. When she gets an unpleasant task she will privately rage about it, but then would take a deep breath and do what needs to be done. Though she is a dreamer, she is also very organised and practical.

Lauraliee feels things deeply. She thrives on praise, and is diminished by criticism. She knows she is far from perfect, but at all times she tries to be perfect and do what is expected of her. She always feels as if she cares about the people in her life more than they care about her. She is not sure if she has real friends, or if her friends are with her because some day she will be The Queen.

She exercises her frustrations through fencing, and by flying with Emerald.

Lauraliee loves her family dearly. She would sacrifice herself for her family and the good of Ardan without a second thought.

It is not as if I want to be a princess. Since I was four years old I've spent every birthday, shooting star, wishbone, and lost eyelash wishing I did not have to be a princess!” ~ Lauraliee Lumijer